Pillage and Plunder

From the markings on the funnel it was Russian – a red band emblazoned with crossed gold anchors. Its names, call signs and IMO numbers were however all hidden, neatly covered with rectangular patches of blue tarpaulin that matched the colour of the hull. That and the fact it was trawling in Gambian waters – singled it out as a target.

Our ocean campaigner from Congo told me that a fishing licence could only be obtained for one country’s EEZ, not for two countries at the same time. This upped the ante from protest against foreign fishing in Senegalese waters to include the exposure of downright illegal fishing in The Gambia.

Charlie Romeo took off for a closer look. The pilot drew close up to the fish factory, hovering metres away from where its name should have been clearly displayed. The draft from the helicopter’s rotor blades lifted the covers to reveal the Oleg Naydenov – a fisherman we’d seen before with its name visible.

This part of the campaign is focused on foreign fishing in Senegalese waters. To avoid cross messaging we left our little boats hanging on the railing and stood off for an hour and followed the pirate fisherman across the Gambian boundary and into Senegalese waters. I called him up as the boats moved in. It felt odd calling him by his hidden name over the radio. There was no response.

The teams went straight in with the yellow paint. Two seven letter words: ‘Pillage’ and ‘Plunder’ appeared in quick succession on the blue hull of the trawler. This simple messaging was followed by a tasteful touch of fish skeleton art. On the deck of the trawler, fishermen raced about and turned a fire hose on them. It was dramatic to watch from the bridge of the Arctic Sunrise – positioned just 350 metres off the sunny side of its beam.

With the painting done, the protesters went for the name of the ship. A knife was attached to a long bamboo pole and with it they sliced through a line holding up one side of the tarpaulin. The name of the pirate was revealed: Oleg Naydenov. Fishermen rushed across the deck and covered it up again. It was farcical to watch.

We stayed beside the factory trawler until its nets came up. They were full to bursting – a rich picking – and they are still out there, raking it in.

This is pillage, plunder. And it must stop.

African nights

The sun submits to Sahara’s dust – it dims and life takes on a yellow tinge. By all accounts the radar indicates we have sailed into a lagoon – atmospherics. The echoes of fishermen are swallowed up whole, leaving behind only an audible alarm: ‘lost target’. I bow to this grand display of nature, stop the engine and we set to drift for the night. A gentle swell rocks the Arctic Sunrise, sending us to sleep whilst outside a soft powdery blanket settles down on us.

Deck lights penetrate a short distance immediately around the boat – illuminating the sea like stage lighting. The synchronised swimmers enter from all sides, surrounding the ship and surfacing en masse for air – an orchestra of wind instruments. The dolphins remain by our side throughout the night lulling us into deeper sleep with their breathy sounds.

By dawn we have drifted to ten miles south west of the Rivière Senegal and pelicans float peacefully beside us as we wake. On deck the dust has settled through the night, thick enough to leave boot prints and every breath is laced with a not unpleasant scent of sand. There is no sunrise, just a gradual yellowing to mark a new day.

Swimming in Senegal

Mikhael Verbitsky was no better or worse then any of the other fishermen in the area – he just happened to be the closest fish factory with nets trailing in the water. Just before noon we launched three boats. Cameras and swimmers boarded the inflatables from the hull-side door.

With the boats running in formation beside the Arctic Sunrise, I called the fisherman over the radio. He answered and changed to a working frequency. This allowed me to get our campaign message out: ‘Greenpeace is here to protest against foreign fishing in Senegalese waters’.

The radio went silent and as I looked ahead through the bridge windows, our boats leaving for their target, there, just fifty metres off the bow, a whale surfaced and blew. Was it a sign? Timing was impeccable.

It takes courage to swim in the path of a fishing boat, what with all of its cables and nets dragging through the water behind. Two little swimmers cannot stop a fishing boat, but that is not their intention. They slip over the side and into the waves to send an image to reach the hearts of people who can make change happen.

Three times they slipped into the water, just a couple hundred metres ahead of the Mikhael Verbitsky. Each time they were run down by the factory to be picked up by the safety boat off the stern, before they could entangle with the trawl. One of the buoys was not so lucky and snagged on a wire. It was hauled beneath the surface, leaving just a whirl of white water until its counterweight ripped off and the orange ball popped up like a super charged rocket.

Protesters returned to base, leaving the media boat to trail behind the fisherman for another six hours before the haul. When it came up I watched through a pair of binoculars. The net was full, grey with fish and the trawler seemed to labour to haul it up the ramp. It reminded me of one of those fat grey ticks, full to bursting. A cry came over the radio – there were dolphins inside the net.

Fish for Africa

On Saturday morning the name ‘Oleg Nayenov’ emerges from dawn’s silhouette, encouraged by a nikon zoom. Our chief mate calls the fisherman in a friendly Russian voice. There is no reply. The factory has moved erratically through the night, darting this way and that often at high speeds and only shooting its net twice in the early morning. We film the second haul – it comes up near empty.

On Sunday it’s the Lithuanian flagged Irivinga with its nets down, trailing hundreds of metres behind. I find it nerve-wracking navigating about its stern where an enormous flotation device, some three hundred metres off its stern, pushes up a wall of water as it is dragged ahead at a steady 4.5 knots. On the All Africa website I read this boat is rated to catch 250 tonnes in a single day, enough to feed 9000 Senegalese people for a whole year. We film the haul and ourselves – banners flying – as the catch rises out the sea.

On Monday, the captain of the Lazurny engages in conversation whilst waiting to discharge 820 tonnes of frozen fish and 50 tonnes of fish meal. There is no bycatch, he tells me, everything is processed. It has been a poor fishing season and he blames the rise in sea temperature. I ask him about the crew nationality and where the fish is going. Everyone on board is Russian, but he does not know what happens to the fish.

On Tuesday we come across a fishing bonanza and send the helicopter to identify them all: Blue Wave, Gloria, Soley, Stark, Volopas, Kingfisher, Kingklip, Alexander Kosarev, Mikhael Verbitsky, Thor, Coral and the Zakhar Sorokin. Twelve fish factories all trawling within a radius of 20 miles. I take that website statistic and punch figures into the calculator on the chart table. In just one day these boats surrounding us could feed 108 000 Senegalese people for a whole year.

Waving fish under Senegal’s nose

Dust clouds billow across the water surface within Dakar harbour. Mooring lines are let go and I ease Arctic Sunrise away from the berth, thrusting her stern to the side and twisting her broad beam into the whirling dust bowl. She seems to flaunt her manoeuvrability. We roar out of the harbour.

A mile beyond the breakwater two rusty fish factories, the Volopas and Coral, swing frozen fish into the hold of the Asian Cosmos, a refrigerated cargo ship anchored between them. The fishers, both registered in Comoros, have a Russian operator and between them carry 3600 tonne of fish. A fisheries inspector’s boat is beside them. Everything is above board – there is just this nagging question I have of the ethics: waving fish under the nose of Senegal.

Eight miles further south and well outside port limits, we find the Blue Wave, a much larger fish factory. This Belize registered boat with Icelandic operator has the capacity for 3 372 tonnes of fish. It lies at anchor transhipping her catch to the New Takatsuki. But there is something fishy going on.There is a little piroque bobbing up and down beside her, like an anxious puppy after a bone. The incentive is nets of frozen fish, judging by volume about five tonnes, creamed off the top. There is a fisheries inspector on board.

We watch and wait. When the laden piroque pulls away, labouring beneath its load, we intercept to ask questions. There are no answers – the tiller-man has been instructed to keep quiet. We continue south.

As sun casts a midas touch turning dust to gold we head south along the coast of Senegal to find the silhouette of a fish factory fishing – too dark to identify we stand off till dawn.

F***ing Factory Vasily Lozovsky

Vasily Lozovsky flashed up on the screen and was gone. It left me questioning my sanity but a hunch told me he’d switched off his automatic identification signal (AIS). Too far to show on the radar, he was gone without a trace.

We entered Senegalese waters from the north as night was beginning to fall. Ahead of us was a long strip of echoes on the radar screen, all moving at the characteristic trawl speeds of 3.5 knots, none of them transmitting identification signals. It was too dark to identify fishing boats visually and being our first night I felt it safer to hold off till morning. We cut the engine and drifted, forty miles off St Louis.

As we motored down the coast in the morning I counted an average of 15 trawlers every twenty miles – all with their nets down. About half way between St Louis and Dakar we found Vasily Lozovsky – enormous. The ship is not even registered as a fishing vessel – it is registered as a Fish Factory with a gross tonnage of 7,765 tonnes and a length of 107meters.

The weather was not in our favour, the NE trade wind had stepped up to force five. Arctic Sunrise was pitching like a see-saw, her stern bouncing up as the bow came down. It looked like the helicopter might launch itself, the pilot told me that was not ideal. We had to rely on our trusty old inflatables for documentation.

I spoke to the captain of the Vasily Lozovsky. He did not seem to mind us being there, even invited us on board if we left our cameras behind. Everything the Russian ship was doing was legal, the governments had agreed. And then he took off into the weather, full speed on the Arctic Sunrise to keep up, up and down, smashing into waves. Our Senegalese campaigner, Raoul, turned from black to green.

‘He’s about to shoot his nets’ I called to the crew, ‘ready the boats’. We were too late. We managed some filming from the bridge wing of Arctic Sunrise, but by the time the small boats had arrived at the stern of the factory, its nets were down and Vasily Lozovsky had resumed a 3.5 knot trawl speed.

Campaigners went out in the second boat holding protest banners in four languages. I kept a half-mile off and watched the wee boats smashing through the high seas. It takes a long time to shoot a steady picture of a moving inflatable – from a moving inflatable with ocean waves and salty sea spray raining down on you.

Backgammon

The sound of dice rattling across cedar. I cup my hands and shake, wish for doubles then let the pair loose to determine my fate. They roll out over a mother-of-pearl and cedar inlaid backgammon board.

We have trapped the sun between the steels of superstructure and deck on the starboard side. Sitting upon cushions in the lee I get the feeling of being grilled. It forces me to break away from the game momentarily to strip down to vest and shorts. Legs and arms emerge dry and chalky white to embrace subtropical sunlight.

It is Sunday afternoon and Arctic Sunrise is in transit to Senegal’s fishing grounds. Rita is my master and opponent as we sit upon cushions engrossed in the game, listening to the waves swooshing by the hull and pausing only for sips from tall glasses of mint tea.

The cogs between my temples grind into motion as my lips count points to triangles. Rita grew up in Beirut during the civil war where she learned to play the game with her brother and father – her strategy is hereditary. Today we sport the same model Oakley sunglasses and laugh at our reflections in the sunshine. It is moments like these that give meaning to life.

Las Palmas Lassitude

I sling my camera strap over my left shoulder and step ashore, leaving the Arctic Sunrise tied up amongst the fishing boats of Las Palmas harbour. For years I have visited this port, but now is my first time ashore. Frankly, I feel like reading a novel this afternoon, but knowing it will be two months before I set foot on shore again – I push myself down the gangway.

I set off across tarmac roads and along cement side-walks. Traffic whirrs past in both directions. There are islands of bare soil with either a palm tree or succulent standing sentry in a cigarette butt mulch. Tanned men with skins like red leather regard me through red-eyes from their staked out benches. There are paper bags with bottle necks extending from their cuffs. A hodgepodge of faded cubes and tower blocks show exposed mortar and rubble at their base. It all clouds my vision, ‘What have we done to the Earth?’

There is a corridor across the isthmus that leads through the melange of mortar and in the distance I see beach umbrellas and sea – my course changes towards the west to emerge onto Las Canteras Beach Avenue. It is like chalk and cheese. The avenue is immaculate and beach pristine, manicured. There are precise sand sculptures, orderly deck chairs and a bank of signs that read no running, no balls, no cellphones, no dogs – the only two ticks are for drinking and smoking. It is an overcast afternoon.

The Beach Avenue is near empty of people, but I recognise a sailor reading a book outside one of the many cafés that line the avenue. He joins me and we walk briskly the 3km to reach the far end of beach avenue. Perhaps it is low season or siesta, but most businesses lining the pedestrian walk are shut. Only one curiosity shop is open, it sells Tibetan bowls and bells, American tomahawks, Russian dolls, fossils, collectors coins and stamps…

I return to the ship, camera unused. It is good to be back on board the Arctic Sunrise and wonderful to be back at sea – a world unto its own.

Approaching Las Palmas

Last day before Las Palmas and the ‘Maartje Theadora’, the Dutch super trawler I blew the whistle at leaving Ijmuiden, comes hurtling past in the dark hours of morning. Our radar plot shows her doing fifteen knots with an AIS destination: ‘Fishing Grounds’.

Last dinner before Las Palmas and there are common dolphins on the bow, our first encounter with cetaceans this crossing. At least a dozen surf, twist and twirl in the bow wave – letting off clicks and whistles for a good half-hour. In my amateur photographer style all my pictures come out an artistic blur.

Swimmers

Somewhere West of Africa and far, far out to sea, the Arctic Sunrise surges ahead. Alone on an inky ocean, under blue skies, with long legged white horses snapping at her heels. She slows to a crawl, puts her beam to the mares and launches small boats over the lee. Not the best weather, force-four, but its predicted to get worse and so her crew make do – training underway.

Bright yellow toys are jettisoned for the little boats to play with. They rush in and hook them up, tow them around, they hook them on and come back for more. Drivers change and the novices get to practise an easier task of coming alongside a moving vessel running down wind – sometimes they bounce, lose a little control, sometimes there movements are slick, all the time training.

Here comes the doctor and a deck-hand, helped across the deck whilst looking much like a pair of michelin-men only in bright orange. They leave the ship by way of the pilot door to join one of the little boats which buzz off in a burst of foam to a point ahead of the Arctic Sunrise. There is a splash one hundred yards away as the orange men enter the sea. I hold my course and run them down. The image of lobsters comes to mind as I watch them pass beneath the bridge wing. They do it again, swimmers in training.

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